My involvement with church architecture began early when, as a choral exhibitioner at Corpus and the only architect in my year there, I was a sitting target to do a lot of the donkey work for the chapel re-ordering which was then under discussion. My main labour was to produce a survey drawing of one bay of the interior, including Blomfield’s dark oak roof. This was taken away by one of the fellows, Malcolm Burgess, who reappeared a few days later with my drawing, coloured in the riot of sky blue, peach and gold which has enlivened the chapel ever since.